Archive for March, 2005
From Bob Parsons about NTIA’s decision to strip away constitutional right to privacy:
Today I have the unfortunate responsibility of informing you that there has been a decision made by bureaucrats of a Federal agency that takes away your right to privacy as guaranteed by the United States Constitution.
This decision was unilaterally made by the National Telecommunications and Information Association (NTIA) without hearings that would determine the impact on those affected, and delivered without notice — in short, the NTIA decision was made without due process of any kind. This is exactly how our government is not supposed to work.
The effect of this decision is to disallow new private domain name registrations on .US domain names. In addition, if you already own a private .US domain name registration, you will be forced to forfeit your privacy no later than January 26, 2006. By that time, you will need to choose between either making your personal information available to anyone who wants to see it, or giving up your right to that domain name.
I personally find it ironic that our right to .US privacy was stripped away, without due process, by a federal government agency — an agency that should be looking out for our individual rights.
On my personal Blog, www.BobParsons.com there are a number of articles where you can learn more about the NTIA’s unfortunate decision and what you can do to help get it reversed.
Datestamp: March 30th, 2005
Picture264_28Mar05.jpg
On facade of a Wal-Mart outside of Houston.
Datestamp: March 28th, 2005
Picture262_27Mar05.jpg
US Visit kiosk with passport and fingerprint scanner.
Datestamp: March 27th, 2005
Picture257_27Mar05.jpg
Newark Internatonal–US Visit exit program kiosk.
Datestamp: March 27th, 2005
The New York Times > Arts > Art & Design > Need Talent to Exhibit in Museums? Not This Prankster
The New York Times > Arts > Art & Design > Need Talent to Exhibit in Museums? Not This Prankster
It was not nearly as dangerous as the time he sneaked into the elephant pen at the London Zoo and scrawled a graffiti message from the point of view of an elephant: “I want out. This place is too cold. Keeper smells. Boring, boring, boring.”
Datestamp: March 24th, 2005
Guestbook
Just Because
[Really, I never wore one, but found this strangely compelling.]
The Side Ponytail Petition:
I believe that the Side-Ponytail should be brought back into the fashion world and adopted by all of the most famous and most relevant international models and other jet-setting, trend-setting people in the world.
Long live the Side-Ponytail!
Datestamp: March 23rd, 2005
— CAE DEFENSE FUND —
When Thought Becomes Crime
The New York Council for the Humanities recently rescinded a grant awarded to the City University of New York for its series on academic freedom because Steve Kurtz was one of the invited speakers!
Read Critical Art Ensemble’s response.
Datestamp: March 22nd, 2005
BBC NEWS | UK | Politics | Grins banned from passport pics
BBC NEWS | UK | Politics | Grins banned from passport pics
Grins banned from passport pics
Travellers have been ordered not to look too happy in their passport photographs to avoid confusing facial recognition scanners.
Toothy, open mouthed grins are being outlawed from the tiny 35mm by 45mm photographs because they will throw off scanners used at airports.
Datestamp: March 22nd, 2005
MakingThingsPublic
MakingThingsPublic
A Project Curated by Steve Dietz for Making Things Public
An artist friend tells the story of attending the 1967 Montreal World’s Fair nearly every day during the summer he was 12 years old. It was an eye opening experience, where he first saw Josef Svoboda’s theater, Buckminster Fuller’s Geodesic Dome (the American Pavilion), Kino Automat, an early interactive cinema, and a “great 360 degree film with a cliff sequence, which you almost fell over with the car.”
Today we have learned to understand World Fairs as exercises in nationalist diplomacy, in multinational marketing, in techno-utopian visions of an uncontestable future. They are events one would only visit like an anthropologist or with an out of town guest, who is distantly related by blood.
In either case, fairs assemble a public — or publics — and that is the goal of “Fair Assembly,” which uses the reach of the Internet to assemble a public beyond the time and space of the Making Things Public exhibition in Karlsruhe, Germany, and to assemble a set of projects, which is beyond the reach of a single curator.
Datestamp: March 21st, 2005
Picture250_20Mar05.jpg
Is it Mickey? Or Jamie and the parking meter…
Datestamp: March 20th, 2005
bsing.net
brooke singer's
projects & curiosities
Latest:
Superfund365
Commissioned by Turbulence.org
Projects Current:
800 Steps Apart
U.S. Oil Fix
AIR
Purpool
Projects Recent:
(in)visible
Zapped!
Swipe
Spectropolis
Moport
Projects More Distant:
SPv2
Symposium Surfing
Boring Postcards
Initiative:
Preemptive Media
Texts:
Surveillance Creep!
Agst. Data Determinism
Databody
Other:
Talks
Teaching
ALERTS:
Cost of War
CAE Defense Fund
Archives
May 2008
April 2008
March 2008
February 2008
January 2008
December 2007
November 2007
October 2007
September 2007
August 2007
July 2007
June 2007
May 2007
April 2007
March 2007
February 2007
January 2007
December 2006
November 2006
October 2006
September 2006
August 2006
July 2006
June 2006
May 2006
April 2006
March 2006
February 2006
January 2006
December 2005
November 2005
October 2005
September 2005
August 2005
July 2005
June 2005
May 2005
April 2005
March 2005
February 2005
January 2005
Old Bsing Blog: 2002-2004
Feeds
Contact
brooke [at] bsing [dot] net
About
Brooke Singer is a digital media artist who lives in New York City. She is interested in emerging technologies not only because they are fun but also because they are contingent and malleable. She has utilized wireless communications (Wi-Fi, mobile phone cameras, RFID) to initiate discussion and positive system failures. Her work seeks to provide public access to important social issues that often are characterized as specialized or opaque. She is currently Assistant Professor of New Media at Purchase College, State University of New York, and co-founder of the art, technology and activist group Preemptive Media.